And I go in… I walk back to the car, turn on the high beams, and drive it up the bank. The red convertible went from taking these two brothers on the adventure of a lifetime to returning them to face war. Each of these themes speaks for itself and is presented clearly in the story. Lyman keeps writing letters to his brother, but Henry hardly replies. If required, please call at 800-314-3932. Devastated, Lyman pushes the red convertible into the river to join him. I knew I was feeling what Henry was going through at that moment.
The water imagery is a clever creative device hinting at an endless number of cultural and religious images. When Henry finds it, he begins fixing it, and as months passed by, he begins to act a little different. However, Erdrich most commonly utilizes theme and symbolism. Henry becomes talkative again as he sets out to repair the car. In 1965, the first American troops were sent to South Vietnam to prevent the downfall of the government. Along with this progression, we need to focus on the final two lines of the opening paragraph.
It begins with Lyman talking about how he raised the money to even afford his half of the car. They buy it together on a mutual impulse, and then they take it on a summer-long road trip together. As the short story opens, the brothers… 902 Words 4 Pages and identity ties to the group. An inconsiderate attitude about other people being more passive or less of a winner than you. Louise Erdrich, describes the story of two brothers who lose their relationship because of a war, which is also responsible of breaking many other relationships.
The brothers share the car together and travel beyond the reservation where they grew up at young age when most of us still trying to figure out our role in society. He believed it represented good times, but the past no longer lives in the present, and the convertible cannot bring good times ever again. . Lyman rushes to rescue his brother but to no avail. Vehicle make and model is subject based upon location and availability.
Presumably, he did not know whether he would survive, and he wanted his brother to become more independent. In both this chapter and the previous one, Erdrich manipulates time to present various facets of her characters in different situations. The boys spend much of their time together and care for each other deeply, as shown by their actions and the road trip they go on. Specific breaks in time accentuate this quality. In describing metaphors, scholars often use the terms vehicle and tenor.
The boys did not care where they ended up, as long as they were going together. The reader can get a real sense of how tough it was to grow up on the Reservation. The red convertible only let the two brothers enjoy their summer by taking them to many comfortable and peaceful places other than the reservation. He often watched television, though doing so made him extremely tense. Lyman was able to afford partial ownership in the car because he had always been good with money. Once the car was repaired, the brothers rode it to the Red River.
Did she always want to write? It is all finally dark. Lyman dares to hope that the repaired car means a repaired relationship. In it, Lyman's face is clear and happy, while Henry's face is hidden by a shadow in the picture. Henry has put the car back together quite well, and the brothers have a pleasant drive together. That is why the story is symbolic because it is told from the point of view of a true Indian living in the North Dakota reservation. Juxtapose the image of the convertible and what it symbolizes in the story to the violent image of Henry chewing on blood-soaked bread. Recalling the blood image appearing earlier in the text, identifies the ritual of baptism as being one of death and rebirth, simulating the death and resurrection of Christ.
And of course, it was red, a red Olds. Something has changed in the air, and Lyman suggests they go back, maybe try to pick up some girls. They decide to drive her back home. A Deconstruction of the Themes of The Red Convertible The Red Convertible is the story about the trials and tribulations of two brothers, Lyman and Henry, and their red convertible. He was a secure man with a sense of humor and an easygoing disposition. They build a fire and Henry falls asleep, but Lyman becomes anxious and wakes him up.
After Erdrich graduated, she and Dorris stayed in touch and became literary companions. Realizing that a relationship similar to what they once knew was no longer attainable, Lyman takes a hammer to the car in the hope that his brother will notice it, wanting to repair it. Henry and Lyman head home, and before long Henry is drafted into the Vietnam War as a Marine. When Lyman lets go of the car, he is also letting go of his innocence. The red coloration of the vehicle represents blood- the ultimate link of brotherhood. The car has come to signify their relationship to the extent that the state of the car can paint a good picture of the kind of relationship Henry and Lyman have.